The Japanese have a strong affection for cherry blossoms, which have become a popular painting subject for many painters. Cherry blossom paintings portray the cherry blossom in a way that helps it stand out by abstracting the background to depict the flower’s three-dimensional or translucent look.

Spring night moon

Night cherry blossom

Brilliance of spring

Spring season

Gold plum

春月夜6
春月夜7
The deep color series is a method of expression that draws out the color of the stone using ink as the base color. For Kyoto landscape paintings, the trees, buildings, and mountains in the background are painted with ink, then colored with vermillion, vermilion, and red, and the buildings are repainted with gold. By layering colors on top of the ink, the actions of both express a deeper spirituality.

During the Democratic Party’s visit to China, the piece “Kyoto Scenery” is given to Chinese President Hu Jintao as a token of friendship.

Flying

Suirin story

Fortune comes

Jiuzhaigou

古都の春
古都の春2

Spring in the ancient city

初雪
初雪2

First snowfall

Large sea

First snowfall in the ancient city

No boundary

Spring

Recollection

In China, the “Red Mountains” series is also particularly well-liked, and numerous big works measuring between 5 and 10 metres exist. Use of Chinese and Japanese paints is crucial. Combining Chinese paint to add the massiveness expresses the mountains with an elegant and dynamic connection to the foreground and distant view, while the combination of Japanese red paint to paint creates the transparency of the mountain ridge line drawn with Chinese ink and the air surrounding it.

Mountain soul

Mountain soul 8m×3m

In China, the “Red Mountain” series is also particularly well-liked, and there are numerous enormous pieces measuring between 5 and 10 metres. Use of Chinese and Japanese paints is crucial. Combining Chinese paint to add the massiveness expresses the mountains with an elegant and dynamic connection to the foreground and distant view, while the combination of Japanese red paint to paint creates the clarity of the mountain ridge line drawn with Chinese ink and the air surrounding it.

White lover – white peony

White lover

White lover – White jade

White lover

White lover

White lover – Purple cloud

White jade

White jade

Purple cloud

A basic type of painting is ink painting. All of his artwork is produced, developed, and finished using ink painting techniques. I’ve been educating pupils for many years, focusing on the fundamentals of drawing, composition, writing, ink, aesthetics, logic, and ink painting while also doing several research experiments. I use my original technique to pursue and produce works with a fresher sensation during that procedure.

First snowfall in the ancient city

Sunrise

In the forest

Morning of Guilin

Cloud and water

Mountains overlapped

Mountain soul

Winter lovers

Spring coming

Flying

Love

Flying and flowing

Lotus

In contrast to the color arts of Europe and the United States, which I studied throughout my graduate art Programme, I would like to express and develop abstract art in the realm of Chinese ink. Chinese ink is supposedly separated into five hues, however Mr. Matazo Kayama claims that it has an infinite number of colors and is very strange. Although I’m currently in the exploring phase with my abstract works, I’ll keep working to find my own distinctive voice.

Space with black and white

A method known as the “ink pouring method” uses bright and dark ink to simultaneously represent a shape on a piece of paper without first creating an outline. The odd thing is that the ink colour changes from one shade to another, creating an energetic, three-dimensional image. In contemporary times, Zhang Daqian is a representative author. It first appeared in landscape paintings during the Tang period. For more than 20 years, I have been producing ink pouring artwork. I may use a variety of papers, ink, and other materials to further my creativity while seeing the movement of ink from the top, bottom, left, and right. I pour ink based on the message I want to convey, yet occasionally my work takes on an unusual, abstract form due to an unintentional impact.

President

Songhua River in February

Moonlight night

Sunrise at Huangshan

Large sea

Oaso

Early winter

Mountain illusion

Since ancient times, Mount Fuji has been revered as both a subject of popular belief and a source of artistic inspiration. My fascination with Mount Fuji’s immaculate beauty began when I was a young artist, and it has continued to this day. As a result, I have been moved to depict the mountain in a variety of ways, including in works titled “Red Fuji,” “Ink Fuji,” “Gold Fuji,” and “Abstract Fuji.” By using a range of techniques and modes of expression, including the sparing use of ink and color, I have endeavored to depict the beauty and magic of Fuji’s surrounding clouds and air.

Majesty Fuji

Cherry blossom and plum tree
The Japanese have a strong affection for cherry blossoms, which have become a popular painting subject for many painters. Cherry blossom paintings portray the cherry blossom in a way that helps it stand out by abstracting the background to depict the flower’s three-dimensional or translucent look.

Spring night moon

Night cherry blossom

Brilliance of spring

Spring season

Gold plum

春月夜6
春月夜7
Dark color
The deep color series is a method of expression that draws out the color of the stone using ink as the base color. For Kyoto landscape paintings, the trees, buildings, and mountains in the background are painted with ink, then colored with vermillion, vermilion, and red, and the buildings are repainted with gold. By layering colors on top of the ink, the actions of both express a deeper spirituality.

During the Democratic Party’s visit to China, the piece “Kyoto Scenery” is given to Chinese President Hu Jintao as a token of friendship.

Flying

Suirin story

Fortune comes

Jiuzhaigou

古都の春
古都の春2

Spring in the ancient city

初雪
初雪2

First snowfall

Large sea

First snowfall in the ancient city

No boundary

Spring

Recollection

Red mountains

In China, the “Red Mountains” series is also particularly well-liked, and numerous big works measuring between 5 and 10 metres exist. Use of Chinese and Japanese paints is crucial. Combining Chinese paint to add the massiveness expresses the mountains with an elegant and dynamic connection to the foreground and distant view, while the combination of Japanese red paint to paint creates the transparency of the mountain ridge line drawn with Chinese ink and the air surrounding it.

Mountain soul

Mountain soul 8m×3m

Peony

In China, the “Red Mountain” series is also particularly well-liked, and there are numerous enormous pieces measuring between 5 and 10 metres. Use of Chinese and Japanese paints is crucial. Combining Chinese paint to add the massiveness expresses the mountains with an elegant and dynamic connection to the foreground and distant view, while the combination of Japanese red paint to paint creates the clarity of the mountain ridge line drawn with Chinese ink and the air surrounding it.

White lover – white peony

White lover

White lover – White jade

White lover

White lover

White lover – Purple cloud

White jade

White jade

Purple cloud

Ink paintings

A basic type of painting is ink painting. All of his artwork is produced, developed, and finished using ink painting techniques. I’ve been educating pupils for many years, focusing on the fundamentals of drawing, composition, writing, ink, aesthetics, logic, and ink painting while also doing several research experiments. I use my original technique to pursue and produce works with a fresher sensation during that procedure.

First snowfall in the ancient city

Sunrise

In the forest

Morning of Guilin

Cloud and water

Mountains overlapped

Mountain soul

Winter lovers

Spring coming

Flying

Love

Flying and flowing

Lotus

Abstract

In contrast to the color arts of Europe and the United States, which I studied throughout my graduate art Programme, I would like to express and develop abstract art in the realm of Chinese ink. Chinese ink is supposedly separated into five hues, however Mr. Matazo Kayama claims that it has an infinite number of colors and is very strange. Although I’m currently in the exploring phase with my abstract works, I’ll keep working to find my own distinctive voice.

Space with black and white

Ink pouring

A method known as the “ink pouring method” uses bright and dark ink to simultaneously represent a shape on a piece of paper without first creating an outline. The odd thing is that the ink colour changes from one shade to another, creating an energetic, three-dimensional image. In contemporary times, Zhang Daqian is a representative author. It first appeared in landscape paintings during the Tang period. For more than 20 years, I have been producing ink pouring artwork. I may use a variety of papers, ink, and other materials to further my creativity while seeing the movement of ink from the top, bottom, left, and right. I pour ink based on the message I want to convey, yet occasionally my work takes on an unusual, abstract form due to an unintentional impact.

President

Songhua River in February

Moonlight night

Sunrise at Huangshan

Large sea

Oaso

Early winter

Mountain illusion

Mt. Fuji

Since ancient times, Mount Fuji has been revered as both a subject of popular belief and a source of artistic inspiration. My fascination with Mount Fuji’s immaculate beauty began when I was a young artist, and it has continued to this day. As a result, I have been moved to depict the mountain in a variety of ways, including in works titled “Red Fuji,” “Ink Fuji,” “Gold Fuji,” and “Abstract Fuji.” By using a range of techniques and modes of expression, including the sparing use of ink and color, I have endeavored to depict the beauty and magic of Fuji’s surrounding clouds and air.

Majesty Fuji